Jean-Luc Godard

During his early career as a film critic for ''Cahiers du Cinéma'', Godard criticized mainstream French cinema's "Tradition of Quality" and championed Hollywood directors like Alfred Hitchcock and Howard Hawks. In response, he and like-minded critics began to make their own films, challenging the conventions of traditional Hollywood in addition to French cinema. Godard first received global acclaim for ''Breathless'' (1960), a milestone in the New Wave movement. His work makes use of frequent homages and references to film history, and often expressed his political views; he was an avid reader of existentialism and Marxist philosophy, and in 1969 formed the Dziga Vertov Group with other radical filmmakers to promote political works. After the New Wave, his politics were less radical, and his later films came to be about human conflict and artistic representation "from a humanist rather than Marxist perspective." He explained that "As a critic, I thought of myself as a film-maker. Today I still think of myself as a critic, and in a sense I am, more than ever before. Instead of writing criticism, I make a film, but the critical dimension is subsumed."
Godard was married three times, to actresses Anna Karina who claimed that he was abusive towards her and Anne Wiazemsky, both of whom starred in several of his films, and later to his longtime partner Anne-Marie Miéville. His collaborations with Karina in ''Vivre sa vie'' (1962), ''Bande à part'' (1964) and ''Pierrot le Fou'' (1965) were called "arguably the most influential body of work in the history of cinema" by ''Filmmaker'' magazine. In a 2002 ''Sight & Sound'' poll, Godard ranked third in the critics' top ten directors of all time.
He is said to have "generated one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." His work has been central to narrative theory and has "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award. He was known for his aphorisms, such as "All you need to make a movie is a girl and a gun" and "A film consists of a beginning, a middle and an end, though not necessarily in that order." However, critics have also claimed that Godard's films contain prevailing themes of misogyny and sexism towards women. Provided by Wikipedia
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1by Godard, Jean Luc, 1930-Other Authors: “…Godard, Jean Luc, 1930-…”
Published 1973
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Published 1980
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3by Godard, Jean Luc, 1930-Other Authors: “…Godard, Jean Luc, 1930-…”
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5by Godard, Jean Luc, 1930-Other Authors: “…Godard, Jean Luc, 1930-…”
Published 1971
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Published 1971
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7by Godard, Jean Luc, 1930-Other Authors: “…Godard, Jean Luc, 1930-…”
Published 1973
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8by Godard, Jean-Luc, 1930-Other Authors: “…Godard, Jean-Luc, 1930-…”
Published 1968
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9Published 1971Other Authors:Universidad Loyola - Universidad Loyola Granada (Other Sources: Biblioteca de la Universidad de Navarra)Call Number: Loading…
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10by Dziga-Vertov (Grup)Other Authors: “…Godard, Jean Luc, 1930-…”
Published 1976
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